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Eyes to Wonder, Tongue to Praise Volume in Honour of Professor Marta Gibińska

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Eyes to Wonder, Tongue to Praise Volume in Honour of Professor Marta Gibińska

Wydawca: Wydawnictwo Uniwersytetu Jagiellońskiego

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Opis produktu
This book is a collection of articles written for Professor Marta Gibińska by her colleagues and friends, from universities both in Poland and abroad. The texts presented in this volume cover a wide spectrum of topics. Part I, devoted to Shakespeare, comprises wide-ranging work from renowned specialists in the field: studies on historical background, sources, theatrical, screen and literary reception, as well as translation. Part II contains articles which deal with multiple authors, genres and perspectives, but are uniformly passionate and insightful.
The title Eyes to Wonder, Tongue to Praise, a poetic phrase borrowed from Shakespeare, conveys what seems to be a defining quality of both the contributors to this volume and its recipient: namely, the ability to translate keen appreciation of literature not into speechless awe but eloquent praise, combined with the generosity to share it with others.

Tytuł
Eyes to Wonder, Tongue to Praise
Podtytuł
Volume in Honour of Professor Marta Gibińska
Język
polski
Wydawnictwo
Wydawnictwo Uniwersytetu Jagiellońskiego
ISBN
978-83-233-3441-5
Rok wydania
2013 Kraków
Wydanie
1
Liczba stron
304
Format
pdf
Spis treści
Preface 9 List of Publications by Professor Marta Gibińska 15 PART I 23 Teresa Bałuk-Ulewiczowa, The Mirror of Princes and the Distorting Mirror in Shakespeare’s Chronicle Plays. 25 Terence McCarthy, Shakespeare, Malory and The Sousing of Sir Dagonet 43 Hans-Jürgen Diller, Wrath and Anger in the Time of Shakespeare 57 Michael Hattaway, The “Closet” Scene in Hamlet: Freud, Localisation, Screen Versions, and Essentialist Characterisation 71 Boika Sokolova, Shooting “the King-Becoming Graces”: Malcolm in Rupert Goold’s Macbeth, DVD (2010) 87 Andrzej Żurowski, Multicultural Shakespeare on the Contemporary Stage 97 Jerzy Limon, The Multifarious Times of One Body 107 Jacek Fabiszak, “Ugly” Tempests: The Aesthetics of Turpism in Derek Jarman’s Film and Krzysztof Warlikowski’s Stage Production 115 Barbara Sosień, Rosalind’s Robe: Who Is Who, or Shakespeare à la française 129 Anna Cetera, “Music to hear . . .”: On Translating Sonnet VIII by William Shakespeare 141 PART II 149 Małgorzata Grzegorzewska, “My Last Duchess” or “The Radiance of the Painting”: Jean-Luc Marion Reads the Poetry of Robert Browning 151 Teresa Bela, “‘Any good?’ ‘Will this do?’”: Reflections on the Poetry of C.S. Lewis 163 Elżbieta Tabakowska, Idealized Cognitive Models, Typicality Effects, Translation 177 Clarinda Calma, “Death Thou Shalt Die”: Resurrection in John Donne’s Prose and Poetry 191 Michał Choiński, From Pulpit to Stage – the Rhetorical Theatricality of George Whitefield’s Preaching 205 Olga Kubińska, “What a gallant mourning ribbon is this, which I wear.” The Function of the Title Pages in the Shaping of the Character in Early Modern English Execution Narratives 219 Regina Bochenek-Franczakowa, A Revolutionary Inspiration: Laurence Sterne’s Tristram Shandy and Ann’quin Bredouille by Jean-Claude Gorjy 233 Bożena Kucała, The Indian Mutiny and English Fiction 245 Barbara Rumbinas, The Pioneers: Reflections of America’s Anxiety about Frontier Expansion 255 Anna Gawlikowska, Imprisonment and False Liberation in E.L. Doctorow’s Ragtime 265 Monika Coghen, Coleridge’s Zapolya: Between Dramatic Romance and Gothic Melodrama 277 Michał Palmowski, Stage Directions in the Avant-garde Drama of Kenneth Koch and Konstanty Ildefons Gałczyński 291
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